![]() ![]() Final major benefit for me is that if my settings aren’t looking spot on, my digitech can easily adjust my camera settings through Capture One if I’m tethered. I can also better organize my incoming images by naming and organizing them. When I review images my eyes dart around making sure the lighting, composition, and other details are just as I want them to be. Each team member can watch to make sure the work they did is coming through correctly. Tethering allows me to focus on details I might not initially see while looking through my viewfinder and it allows for my team to spot those details too. My tethering cord is 15 ft / 4.6m long, so I have the ability to move around my studio space with ease. I try to utilize lines, contrast, and color to create aesthetically pleasing visuals with balance.Īs mentioned earlier, every shoot in studio I’m tethering to Capture One. I’m looking to avoid tangents or any unbalanced composition. For my style of photography I’m watching to make sure my model either has room on the sides of the frame or if it’s a tight crop that I’m not creating tension with where I’m cropping. When I’m shooting and composing an image through my viewfinder I’m always trying to create balance. You can also quickly access freehand rotation by either moving the cursor outside the corner of the crop or by using the modifier key. ![]() With Capture One 20 it’s now easier to crop quickly and effectively since you can see the edge of the crop with new handles. After I have these basic settings, the main thing I have to focus on for getting a proper exposure is the power of my strobes. Depending on what kind of look I’m going for or what I’m shooting this might differ slightly. Typically I’m shooting around 1/160th, anywhere from f/5 – f/9, and staying close to ISO 100. I’m almost always using double diffusion, but now with Elinchrom’s stackable external diffusers for Rotalux I can triple my diffusion- for all that dreamy softness.įor anyone curious about settings in studio, most settings are pretty similar. All three of those modifiers create a beautiful diffused light with a wrap around quality that the modifiers are known for. The Litemotiv 120cm, Rotalux Octabox 100 cm (39″), and Rotalux Octabox 175 cm (69″) are my favorites. My set ups generally range from using 1-3 lights. I love creating soft, dramatic lighting that adds to the feminine aesthetic that’s shown in most all my work, so for this reason I’m often using large modifiers with double diffusion so the light will wrap around my models and create gradual transitions between highlights and shadows. My sets are lit with Elinchrom strobes and modifiers. This ensures everyone knows what to expect and bring for the actual shoot day. I tend to go for around 25+ images and when I feel the moodboard is complete I can then send it out to my team. As I build onto a concept I continually look back at my board as whole to make sure the aesthetic is consistent. I prefer using Pinterest for my moodboarding. My most dynamic images are created through finding harmony in all of these factors. This is where I get to bring out my creativity by deciding the aesthetics, colors, lighting, and concept. I feel the most inspiring part of the pre-production for a photoshoot is the moodboarding. Mood Boarding For Inspiration, Style, and Color Harmonies All of this helps me and my team dial in the feel of the shoot and make sure everything is as it should be. Throughout my shoot I’m tethering, checking focus, organizing, culling, applying initial adjustments, and color grading. ![]() ![]() To learn more about our latest version, click here.Ĭapture One plays such a significant role in my post processing workflow, but it also plays an essential part during the photoshoot itself. NOTE: This article discusses an older version of Capture One Pro. ![]()
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